The 5 Best Vampire Books

This is a list of the five best vampire books according to The Fleam--these are the only books, so far, to have received a 5 star rating.

I am Legend -- Richard Matheson (horror)
* Short Review: Absolutely riveting post apocalypse SF style story, circa 1954. Not to be missed; one man, alone against a world full of vampires.
* My Advice: skip the movie.

Vampire: Two Centuries of Great Vampire Stories -- edited by Alan Ryan
* Short Review: THE collection to start with, containing all the best historical and early modern classics. A great read!

Blood is Not Enough -- edited by Ellen Datlow

Bloodlust -- PN Elrod

Guilty Pleasures -- Laurell K Hamilton

BOYS OF THE BITE: A GAY VAMPIRE ANTHOLOGY Cecilia Tan (ed)

This is an anthology by new e-publisher Ravenous Romance. I accepted a review copy based largely on the strength of Tan's reputation as an editor. As is often the case with anthologies, Boys of the Bite includes stories of mixed tone and quality.

Wanting Having Needing by R R Angell has excellent contemporary world building and a believable protagonist, but the plot--such as it is--depends on a twist that is broadcast well in advance.

To Be Beloved by Pepper Espinoza is a Dracula-esque historical story with a very appealing first-person protagonist. This story updates the Victorian approach by more strongly evoking the the morbid pleasures writers of that time could only elude to--as the victim sinking all to willingly into the the fatal embrace fo a vampire.This story is exquisitely well written but without the moralist ending that would once have resolved the tale it feels rather unfinished.

Lost in Translation by Tammy Jo Eckhart is well written but essentially just a story of a modern surfer becoming the slave of a vampire scholar, which is not the sort of story I enjoy.

The Love of a Faithful Servant by Teresa Noelle Roberts is again wonderfully written but basically a 'being made into a vamp' story. At this point I am beginning to wonder why so many authors write a wonderful vignette and so few produce a fully plotted (beginning-middle-end) short story.

The Cold Color of the Heart by Eric Del Carlo and Amber Jane Dodd is a emo first love story with a well-imagined vampiric twist.

The Sin Eater's Prince by Keta Diablo is another first time story combined with strong high fantasy world building.

The Conservative Dark by Connor McKay is yet another first time story with the standard OMG-what-if-I-hurt-my-mortal-lover plot.

The Last Brother by Ken Panadero describes a high fantasy order of vampire monks, but is also yet another falling in love story. I support this is a romance publisher, but in the absence of other plots the stories are starting to feel monotonous. Each is in a different world, a different culture, a different kind of vampire, a different kind of man, and a different writing style, and yet.... it is not just that each story is a vampire and a human, but the human is a nervous virgin etc. Perhaps I am too demanding having been raised on classic collections of sci fi short stories which each made a different kind of conceptual point rather than the same basic point ('love redeems') in different ways.

The Devil's Half Acre by Ryan Field introduces a world weary vampire moving into a town, segues to a pick up and sex scene and then ends. Of all those stories it has some of the best erotic content but is the furthest from really being a fully realised story.

VAMMP: Conquerring Dissension by Bryl R Tyne was a story I found very hard to follow and make sense of. The editing also seemed a little off; there were many awkwardly constructed sentences. For example: "Alan sensed the scrutiny tossed at his still-booted feet and warmth flushed his face." And only in this story did the intricate world building seem really rather supernumerary to the plot of (surprise surprise) lust and longing finally requited (the ol' destined life mates thang).

Based on her previous anthologies I know Tan knows good writing when she sees it. However I think the last story ends this collection on a low note. The world building the writing style of each writer is excellent and idiosyncratic, but the old vampire and M/M tropes become repetitious by the end. It might be best read in snatches rather than in one sitting. A reader who has read these two genres less exhaustively might not feel the same ennui.

Overall I would rate Boys of the Bite well worth the price of entry, and a nice sampler of gay erotic romance stories that put a twist in the old tropes but never escapes or subverts them. I would certainly be interested in reading longer works by most of the authors included in this collection.

4/5

See also:
BOYS OF THE BITE Receives Great Review From the Fleam

THE VAMPIRE FAMILY Kristin Battestella

The Vampire Familyopens with 50 pages of rapid fire royal melodrama. The evil Antonio emerges from harsh poverty and by cunning and blithe murder takes a throne. An awful lot more than that happens, and lacking a pause to appreciate the impact of all this rape, murder, torture and betrayal--and lacking a sympathetic protagonist or a point-of-view character, I have to admit is passed as rather a blur with Antonio somehow both the hero and the villain of the piece.

Around page fifty the story leaps nine centuries into the future, but still lands thirty some years short of the present day. Surrounded by the female vampires created in the first part of the story (his family in more ways than one) Antonio now has plans for world domination. The time period bounces around rather a lot from there with an ongoing blur of action involving Antonio, his women and various secondary characters.

Somewhere in the middle of the murders, dungeons, zombies, torture and a cast of scores I realised I just could not get interested in this story. The Vampire Family has an authentic air of the old vampire tales like Varney the Vampire or even Dracula, but as a modern reader I find I want a character to root for, and some insight into his thoughts and feelings. And that is one thing this book doesn't have. Others may enjoy the convoluted family and their exciting lives, but this just wasn't my kind of book.

2/5

Now reading:

Royal Blood

STAKES AND STILETTOS Michelle Rowen

It wasn't apparent to me when I requested Stakes & Stilettos that it was the fourth book in a series. So this review will need to be taken with a grain of salt. For at least the first third of the book I was keeping up with the very busy life of Sarah Dearly, chick vampire. There was enough information built into the book for a reader to make sense of what was going on, but there were a hell of a lot of "as you know, Bob" statements to fill in the gaps.

Essentially the book is about Sarah, her master vampire boyfriend Thierry, and lots of surrounding secondary characters. At about the middle of the book the story coalesces into a discernible plot involving a witch who curses Sarah based on an old high school grudge, and a mysterious vampire hero of legend called the Red Devil. Sarah is an amusing, glib character and her first person account really draws the reader to identify with her. By the end of the book I was finding it entertaining and engaging and seriously considering buying subsequent books. However the meat of the story did seem to be squished into the later parts of the book with one heart wrenching plot twist thrown in and completely resolved within the three, short final chapters--which seemed something of waste given how whole chapters early in the book were devoted to such thrilling activities as borrowing a dress to wear to a party.

Ultimately I would suggest that readers considering this series start at the beginning, because a proper introduction might make the uncomfortable and uneven melange of themes work better. I mean the first chapter is fully serious third person account of Thierry in the verge of suicide, and he also has a lump of similar serious-boarding-on-melodramatic chapters in the middle of the book. There is a large subplot that is unashamedly Scarlet Pimpernel with a dash of Zorro. The rest is first person chick lit.

And my problem with some chick lit did rear its far-too-pretty head. That is that the chick lit heroine has a tendency to resemble the most shallow and nasty girls form high school, meaning that if one was, lets say a late bloomer, seeing such a character become more gorgeous, more successful, more beloved and more supernaturally powerful is not 100% gratifying. And Sarah is an ex-cheerleader who publicly humiliated a girl in a fit of pique and forgot about it by the end of the day. Personally, despite the witty first person, I was at least a s sympathetic with the "villain" and ultimately unhappy to see her meet a grisly end.

I felt that Sarah was a shallow character who, despite her boyfriends repeated warnings, behaves foolishly and is regularly almost killed. She starts the book as a cross between Buffy and a vampire Cynthia Nixon (Sex in the City) and ends up the same but with an extra dose of super powers. I think Michelle Rowen writes well, but ultimately having her heroine rewarded for a combination of sarcasm and stupidity (with true love as her only real redeeming feature) didn't sit well with me. Now a story of the high school pariah learning black magic and getting her own back through a series of curses before being redeemed by true love, that I would like to read.

Stakes & Stilettos

I am taking some time off to read Stakes and Stilettos by Michelle Rowan. A jug of... well a bottle of Heinekin, a loaf of... um bag or potato chips and thee (if the dog counts as a "thee").